This is an often-repeated piece of advice in certain circles that co-parenting a canine companion following a split is ill-advised. Experts frequently claim such setups impede former couples from moving forward, create logistical nightmares, lead to tension, and become annoying for all parties. Apparently, as a development fit for a direct-to-platform film, it reportedly leads to the dogs themselves to experience sadness.
While respecting the mental health of animals – countless people observe their remarkable empathy. For a prime example in canine melancholy, simply recall another performance. There is little doubt that a dog such as Merv, a scruffy terrier type brought to life by the canine actor Gus, would struggle adjusting to life in two homes. Whether this premise a feature-length romcom on this conflict works effectively remains debatable at best.Standard Holiday Fare
Honestly, Merv, written by the writing duo and directed by director Swale, makes no grand claims more profound than its premise. We have here a seasonal offering from a major tech-and-media conglomerate – the ambitions is limited. The plot proves to be simple and direct: a separated couple Russ (Charlie Cox) and Anna (Zooey Deschanel), realizing that their post-breakup gloom is rivaled only by their dog's, take a therapeutic trip to a dog-friendly resort. Once there, as expected, they will surely stumble toward the idea that they should reunite. Side characters – featuring a group of comedic actors – serve as the usual assortment of types. Visually is reminiscent of a streaming service original, with a Christmas setting that is clearly manufactured – think fake snow clinging to verdant foliage as a summer location substitutes for a cold December city.
Where the Film Shines
If these predictable parts come together into a pleasant experience hinges on the actors' work and an acceptance of comfort viewing. Regarding the second aspect, Merv hones in on a demographic – the kind who browse regularly for cute animal clips. The film delivers a wealth of canine-centric sequences. The main attraction is the dog, and though it results in some stilted moments between the pet's "lines" and the actors' responses, the movie does offer walking sequences, pet moping, and, ultimately, pure puppy happiness.
Where It Wobbles
The same praise is not earned for the human side of the story. The film's approach wavers between relationship drama, broad humor, formulaic romance, and silly gags, never fully committing to a consistent feel. The fault lies not with Cox's performance, who is willing to embrace the absurd and awkward demanded of the unusual premise. He brings a likable self-deprecation that supplies a significant portion of the appeal for this seemingly ideal couple. Her co-star Deschanel, in her typical fashion, imparts a certain millennial quirkiness that will click for some but not others. Her portrayal seems a little too aloof, notably when paired with Cox's heartfelt sincerity. (For what it's worth, Merv himself succeeds in acting depressed – he may not be a canine thespian of that caliber, he is still a scene-stealer.)
The film attempts to add substance to the couple's history for scenes without their pet – a regrettable choice, given that the dog is by far the most adorable aspect of this cute-aiming movie. Unsurprisingly, it just about gets by. The cause for their separation could have been more nuanced with less exposition and fewer direct statements. Ultimately, Merv is gentle and pleasant, meeting all its marks. Making a film with this canine conflict has potential – but it's not exactly a stroke of genius.
- Merv streams on Prime Video starting December 10.
